Description
‘As a general rule, I am opposed to fiction written from the perspective of a child. It’s not that I’m uninterested in childhood as a concept, or even in children themselves – far from it – but some writers use childhood as a lazy shortcut, an easy way to introduce such broad themes as “innocence lost.” . . . Happily, the Spanish writer Elisa Victoria’s debut novel, Oldladyvoice (translated by Charlotte Whittle), is the exact opposite of this. . . Childhood makes a lot more sense when you remember that children are basically madcap little degenerates, fascinated by their own filth, and I love that Victoria isn’t shy about portraying this.’ Phrasebook
